Open Plan Sector
"Limbo", by Asier Mendizabal, ProjecteSD (photo: Jéssica Mangaba)
"Limbo", by Asier Mendizabal, ProjecteSD (photo: Jéssica Mangaba)
"Ensayo sobre lo fluido", by Héctor Zamora, Luciana Brito Galeria (photo: Jéssica Mangaba)
"Ensayo sobre lo fluido", by Héctor Zamora, Luciana Brito Galeria (photo: Ênio Cesar)
Detail of the work by Asier Mendizabal, ProjecteSD (photo: Jéssica Mangaba)
(photo: Jéssica Mangaba)
(photo: Jéssica Mangaba)
"( _ )", by Victoria Fu, Simon Preston Gallery (photo: Jéssica Mangaba)
"( _ )", by Victoria Fu, Simon Preston Gallery (photo: Jéssica Mangaba)
(photo: Jéssica Mangaba)
"Other Libertines", by Seb Patane, Fonti (photo: Jéssica Mangaba)
Works by Christodoulos Panayiotou, Rodeo (photo: Jéssica Mangaba)
"The End", by Christodoulos Panayiotou, Rodeo (photo: Jéssica Mangaba)
"The Price of Copper", by Christodoulos Panayiotou, Rodeo (photo: Jéssica Mangaba)
"The Price of Copper", by Christodoulos Panayiotou, Rodeo (photo: Jéssica Mangaba)
"Defeito de fábrica", by Marcelo Cidade, Vermelho (photo: Jéssica Mangaba)
"Defeito de fábrica", by Marcelo Cidade, Vermelho (photo: Jéssica Mangaba)
Detail of the performative sculpture "Diptych (My studio around Thoreau’s cabin around pillar and my studio around Kaczynski’s cabin around pillar)", by Francesco Arena, Sprovieri (photo: Jéssica Mangaba)
Detail of the performative sculpture "Diptych (My studio around Thoreau’s cabin around pillar and my studio around Kaczynski’s cabin around pillar)", by Francesco Arena, Sprovieri (photo: Jéssica Mangaba)
"Everything Revolves around the Column", by Radamés “Juni” Figueroa, Proyectos Ultravioleta (photo: Jéssica Mangaba)
"Everything Revolves around the Column", by Radamés “Juni” Figueroa, Proyectos Ultravioleta (photo: Jéssica Mangaba)
"estrutura espacial indissociável", by Daniel de Paula, Galeria Jaqueline Martins (photo: Jéssica Mangaba)
"estrutura espacial indissociável", by Daniel de Paula, Galeria Jaqueline Martins (photo: Jéssica Mangaba)
(photo: Jéssica Mangaba)
Earmarked for sculptures, large installations and works that dialogue with the emblematic architecture of Oscar Niemeyer’s Pavilion, the exhibition if this sector transcends conventional models of fairs. This year, it will showcase new pieces specially commissioned for SP-Arte, under the curatorship of Jacopo Crivelli Visconti, critic and curator of the 12th Bienal de Cuenca in 2007, and responsible for Brazil’s official participation in the 52nd Biennale di Venezia that same year.
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