Artists
Paulo Monteiro
Brazil, 1961
According to the art historian Nelson Aguilar, the artist praises the constructive power of the gesture in his sculptures by confronting the inertia of clay with as minimal manipulation as possible. This duel between emptiness and will is expressed in his drawings and paintings, in which the vastness of the white canvas or paper tends to balance the strength of the graphite or paint on its surface.
Explore more at:
Galleries
Exhibitions
Editorial content
SP–Arte Profile
Join the SP–Arte community! We are the largest art and design fair in South America and we want you to be part of it. Create or update your profile to receive our newsletters and to have a personalized experience on our website and at our fairs.