Between the photographic model and the formal presentation, a contradictory relationship is established: the cadenced repetition of lamps covered with fragments of a photograph gives an appearance of regularity which is, however, the result of a kind of objectification of photography. And its unity appearance is a product of image manipulation. Emphasized by the back-light, the immateriality refers to structures from another space of representation, or from an illusionist effect within the illusion.

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